Thursday, 25 May 2017

Writing for beginners (30)

Reviewing Your Writing Tools

Like anyone else in the creative business, writers need certain tools to do their job. Whether using pen and paper or computer, without them we would find it difficult to do what we do - which is putting down words on paper for others to read. It is no different to a bricklayer needing a trowel, spirit level and mortar; they are fundamental requirements.
But just as a bricklayer needs the basics, he also needs plans, materials and somewhere to build. And writers should also consider the intangibles which are vital to the creative process.
Ask any writer what they value most, and you’re likely to get a variety of answers ranging from peace and quiet through to simply having plenty of fresh ideas on tap. (Add to that the latest piece of electronic hardware or software, since we are, like it or not, bedded into the age where some think a good computer will make us better writers. It won’t, but it will help the process).
Let us examine atmosphere as a tool. A friend of mine works at her kitchen table. She does so because she feels it is her ‘place’ and she can sit down whenever the mood takes her. She also worried that friends will think she’s putting on airs if she bags a specific room to do her writing. Unfortunately, what is her place to write is also a major trade route for the rest of creation; family, pets, children from down the street, neighbours and visiting family members, all wanting a slice of her time. No wonder she complains of not getting enough peace to write.
Another friend tucks himself away in the spare room where nobody can get at him. Up there, he plays classical music and gets in the mood, Well, almost. Unfortunately, he often finds he can’t get in the ‘right’ mood for the words to flow, and ends up wandering the house like a refugee, trying to find where he left it.
Atmosphere is important, and varies according to the individual. Friend A needs to allocate herself a specific place where she can work in comfort with the minimum of interruption. Friend B needs to think about how, in the kind of place A can only dream of, he needs to create the right ambiance.
In both cases, they are victims of their own circumstances. Having a quiet place to write is not a crime, not is it pretentious, silly or even suspect. We wouldn’t, after all, expect a keen gardener to be satisfied using a tub in the middle of the living room carpet.
Friend A, if her writing is that important to her, needs to grasp the nettle and inform the family that she needs somewhere for herself. She isn’t locking herself away like a hermit crab, merely distancing herself for a while from the hurly-burly.
Friend B needs to think about what he is writing, and how the music he plays fits into that. Classical music may be something he enjoys, but it might be wrong for his frame of mind while writing. He could try varying the output to alter his mood.  A gentle violin piece may be too bland for creating a suspense story, and a piece of Wagner rattling the rafters certainly won’t do much for a story of soft candlelight and whispered sweet nothings.
Or how about some actual peace and quiet? Now there’s a novel thought (pun intended).
Another tool we tend to forget is a good source of reference. How often do we know the kind of word we need, yet can't quite bring it to mind? How accurate is our geography in a story – details of which might be subsequently picked apart by an editor at the expense of all our hard work? How often do we forget that what we knew even five years ago has changed dramatically because of shifting circumstances? (I must confess to this mistake once, when I quoted a 40-minute journey time from one part of London to another – a trip I used to take regularly. An editor queried whether I had done so recently, since that time has now doubled as a result of increased traffic, cameras, the congestion zone and reduced speed limits, which impacted quite seriously on the flow and time-plan of my story).
Thinking time is another tool we tend to overlook. Taking time out to think seriously about where our story is going can pay real dividends, rather than just giving it the odd thought over dinner along with interest rates, the children’s schooling and that bald tyre on the car.
Thinking, allied with jotting down ideas, alternative plots, ‘what ifs’ and some wild mind-mapping on scrap paper, can often serve to unblock the creative processes far more effectively than labouring painfully over a hot keyboard. So can walking, window-shopping or performing some other automatic task.
Our tools are important for us to do the job, whether it is part- or full-time. Having the right ones at hand - and reviewing them from time to time - could make all the difference between a job done well or simply snatched at and wasted.
·        Think about atmosphere and place. Are yours suitable for writing?
·        Take your writing time seriously and others will do so, too.
·        Having sources of reference at hand will save time and effort.
·        Give yourself time to think about what you are doing and where you are going.

Taken from my book 'Write On! - the Writer's Help Book' - (Accent Press) - available in p/b and ebook
Do you know a writer who might benefit from this book? If so, check it out here.


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